Ep.46 / Scream, But Make It Gay 👻 | The Queer Legacy of Scream (1996)
Do you like scary movies? Same! Lets talk about the best — Scream (1996) — and unpack why it’s become a queer cult classic. From Kevin Williamson’s groundbreaking (and closeted) gay influence behind the script, to the homoerotic tension between Billy and Stu, we’re slashing through the subtext and revealing why Scream speaks so powerfully to the LGBTQ+ community.
Scream, But Make It Gay: The Queer Legacy of Scream (1996)
When Kevin Williamson’s Scream hit theaters in December 1996, horror fans weren’t just scared—they were obsessed. The meta-horror slasher, directed by the legendary Wes Craven, didn’t just revive a dying genre; it reshaped the way we think about horror movies, pop culture, and even queer representation. In this episode of Hot Air, host Josh Robert dives deep into the queer influence behind Scream, exploring Kevin Williamson’s vision, the iconic Billy and Stu dynamic, and why Ghostface has become a beloved cult symbol in LGBTQ+ spaces.
Whether you’re a horror fanatic, a Ghostface stan, or just here for some spooky season vibes, this episode unpacks why Scream remains a queer cult classic decades later.
Why Scream Still Matters
The mid-1990s were not kind to the horror genre. Iconic franchises like Friday the 13th and A Nightmare on Elm Street had been stretched thin, with sequels that leaned more on camp than suspense. The “Final Girl” formula—a trope of the pure, virginal female survivor—was getting predictable, and audiences were craving something fresh.
Enter Scream. Kevin Williamson wrote the script in just a few days, inspired by a true-crime documentary about the Gainesville Ripper. His goal was simple: create a horror movie that was self-aware, scary, and witty, one that both honored and subverted the tropes audiences thought they knew. The result? A film that grossed over $170 million worldwide and reinvigorated the horror genre for a new generation.
But beyond its commercial success, Scream offered something more subtle yet powerful: queer-coded storytelling that resonated deeply with LGBTQ+ audiences.
Kevin Williamson: The Gay Pen Behind Scream
Kevin Williamson was not publicly out when Scream premiered, yet his perspective as a gay man profoundly shaped the film’s narrative. Growing up in North Carolina as a closeted teen, Williamson often felt like an outsider—a theme that permeates the characters and storylines in Scream.
The movie’s characters are defined by masks, secrets, and dual identities. Ghostface literally hides behind a mask, performing one persona while hiding another. Billy Loomis pretends to be the perfect boyfriend while harboring a murderous secret. Even Sidney Prescott navigates complex social expectations and a haunted family history.
🎬 Sound Bite Suggestion: “Do you like scary movies?” – Drew Barrymore as Casey
This famous line is more than iconic; it sets the tone for a film that blends humor, horror, and identity exploration in a way that mirrors queer experiences, especially in the 1990s.
The Homoerotic Dynamic of Billy and Stu
One of the most talked-about aspects of Scream in queer spaces is the relationship between Billy Loomis and Stu Macher. Played by Skeet Ulrich and Matthew Lillard, respectively, the duo’s dynamic is dripping with homoerotic subtext.
Stu’s flamboyance, dramatic expressions, and exaggerated energy read as camp, a cornerstone of queer aesthetics. Billy’s brooding, intense persona complements Stu’s over-the-top antics, creating a duo that queer fans have debated for decades: were they just friends, or something more?
🎬 Sound Bite Suggestion: “My mom and dad are gonna be so mad at me!” – Stu Macher
Even in his death scene, Stu’s exaggerated performance reads like a metaphorical audition for queer attention—a mix of drama, charm, and danger. Kevin Williamson has hinted that he imagined Billy as bisexual, adding another layer of queer coding to the killers’ dynamic.
This was groundbreaking because horror films have historically cast queer characters as victims or villains with no depth. Scream gives us complexity: queerness isn’t just subtext; it’s part of the narrative DNA.
Sidney Prescott: The Queer Final Girl
Sidney Prescott is a departure from the traditional “Final Girl” trope. Unlike Laurie Strode in Halloween, Sidney is neither purely virtuous nor defined by societal morality. She is a survivor, navigating trauma and social labels on her own terms.
🎬 Sound Bite Suggestion: “Not in my movie.” – Sidney to Billy
Sidney’s resilience and refusal to be confined by rules or expectations resonate with queer audiences. She embodies the struggle and empowerment of navigating a world that wants to define you while asserting autonomy over your identity and survival. For LGBTQ+ viewers, Sidney’s journey mirrors the fight for visibility, acceptance, and self-determination.
Masks, Secrets, and Queer Coding
Masks are central to Scream’s imagery, and for queer audiences, they carry symbolic weight. Ghostface’s mask represents dual identities, hidden truths, and the tension between public performance and private reality—concepts familiar to anyone who has navigated closeted life.
🎬 Sound Bite Suggestion: “It’s always scarier when there’s no motive.” – Ghostface
Queer viewers recognize the metaphor: survival often requires performance. We learn to hide parts of ourselves, to mask who we are until it’s safe—or thrilling—to reveal our true selves. Horror, in this context, becomes a metaphor for the queer experience: navigating danger, judgment, and the thrill of self-expression.
Queerness, Camp, and Survival in Horror
Horror has always been a refuge for queer audiences. The genre speaks to outsiders, those on the margins, and those who have faced societal “monsters.” Scream amplifies this connection through camp, self-awareness, and meta-commentary.
Randy’s iconic “rules of horror” speech is a perfect example. His absurd, theatrical delivery mirrors the camp aesthetics beloved in LGBTQ+ culture. Humor and horror coexist, creating a space where queerness can thrive even in a world full of fear and danger.
Why Scream Became a Queer Cult Classic
Nearly 30 years later, Scream remains a staple in queer pop culture. Its influence extends beyond Halloween parties, drag performances, and meme culture. Ghostface has become a queer icon: a symbol of rebellion, survival, and playful danger. Billy and Stu continue to fuel fan discussions, and Sidney remains the ultimate empowered survivor.
The film’s queer legacy is embedded in its DNA: the masks, the camp, the subtext, and the outsiders who claim their power. Horror for queer audiences is more than fear—it’s empowerment. Scream taught us how to laugh, survive, and thrive in a world that often misunderstands us.